Today, Monday 8 June, the painting Ecce Homo by Antonello da Messina, a Renaissance masterpiece of the 15 century, arrives at the National Museum of Abruzzo (MuNDA) in L’Aquila, where it will become part of the museum’s permanent collection.
The work, recently acquired by the Italian State, has been the subject of a study and restoration campaign at the Central Institute for Restoration (ICR), with an integrated programme of investigative analyses, conservation assessments and preliminary interventions aimed at ensuring its stability, legibility and proper display, in which INFN took part.
The work carried out at the ICR involved conservators, art historians and diagnostic specialists, including a team of physicists, with the aim of thoroughly reconstructing the constituent materials, execution techniques, any overpainting and previous interventions.
Specifically, the National Institute for Nuclear Physics (INFN) participated in the investigations with a portable multi-analytical scanner developed within the Artemisia project, funded by the Lazio Region as part of the DTC Centre of Excellence. The system, unique of its kind, integrates several non-invasive diagnostic techniques – Fourier Transform Infrared Spectroscopy (FTIR), X-ray Fluorescence (XRF), UV Fluorescence and Fibre Optic Reflectance Spectroscopy (FORS) – into a single platform designed to operate directly on the artwork. The integration of these techniques is a distinctive feature of this instrument and makes it possible to obtain, on the same analysed point, both elemental information (through XRF) and molecular information (through FTIR).
The campaign focused on the acquisition of infrared maps with spatial resolution on the order of a millimetre, making it possible to obtain a detailed chemical representation of the painted surface. Infrared analysis enabled the identification of organic binders, varnishes, restoration materials and degradation products, contributing to the construction of a comprehensive body of knowledge, indispensable for guiding conservation interventions.
The investigations conducted by INFN formed part of a broader diagnostic campaign coordinated by the ICR, involving a wide range of expertise and infrastructures. Alongside FTIR and XRF spectroscopic analyses, the campaign included hyperspectral investigations carried out by CNR-ISPC of Florence and Lecce, high-resolution photographic documentation using a stereomicroscope and a Hirox digital microscope, and analyses of micro-samples using SEM-EDS, Micro-Raman and GC-MS performed by the ICR scientific laboratories.
“The integration of different techniques makes it possible to correlate chemical, material and conservation information in a coherent manner, while maintaining a completely non-invasive approach,” underlines Mariangela Cestelli Guidi, Head of the DAFNE-Luce Laboratory at the INFN National Laboratories of Frascati and member of CHNet, the cultural heritage network of the National Institute for Nuclear Physics.
The DAFNE-Luce Laboratory is the synchrotron light laboratory of the INFN National Laboratories of Frascati. Synchrotron light is a fundamental tool for carrying out advanced research in fields such as materials science, chemistry, biology, medicine, environmental sciences and cultural heritage. The laboratory is a reference centre for the analysis of paintings, thanks to the integration of complementary techniques, both laboratory-based and portable, which make it possible to connect in situ investigations and detailed analyses.
In particular, the synchrotron light laboratory makes it possible to illuminate sections of artworks with highly collimated and brilliant beams, characterised by high intensity and low divergence. This allows the acquisition of high-contrast images and significantly improves sensitivity in detecting minor components and distinguishing thin layers, providing a more precise interpretation of the pictorial microstratigraphy.
The Ecce Homo campaign therefore represents an emblematic example of integration between scientific research, advanced diagnostics and conservation. In this process, knowledge becomes the fundamental prerequisite for the protection and enhancement of the artwork, in line with a vision that brings together multidisciplinary expertise and innovative technologies in order to return to the public a heritage that is fully understood and accessible.
ARTEMISIA project information: https://dtclazio.it/artemisia-infn
DAFNE-Luce Laboratory: https://w3.lnf.infn.it/acceleratori/dafne-luce